Helena Ignez is an iconic Brazilian
actress, who turned 70 recently. In the 17th International Film Festival of Kerala,
honoring Helena Ignez’s 53 year long career, seven of her most talked about
films to be screened under Retrospective category. To the despair of her
family, dropped out of college and enrolled in the course in Dramatic Art from
the Federal University of Bahia. She joined the Bahia Theater during the time
of avant-garde and worked with many maestros there. Apart from proving her
talent of acting in more than 30 films and TV series, has also directed two and
penned for one. Ignez created a new style of acting: debauched, extravagant,
female violence. Being a prominent person of Cinema Marginal, she gave new face
to female characters in Brazilian Cinema.
Helena Ignez in The Red Light Bandit (1968) |
The red light bandit tells the story of a
Brazilian criminal, of the same name, as he uses a red flashlight to break into
the houses and rapes his female victims. This films released in 1968, won four
awards including the best film and best director in the 1968 Brazilia Festival of Brazilian Cinema.
This was the first feature film directed by veteran Brazilian director Rogerio
Sganzerla who also composed music for this film. The director par excellence
was an omniscient personality in cinema. He directed 17, penned for 13 and
proved his expertise in almost all other department of cinema production in his
career of over 35 years.
Helena in The Priest and the Girl (1966) |
Joel Pizzini’s latest documentary film Mr.
Sganzerla- The Signs of Light re-creates the ideas and images of the filmmaker
Rogério Sganzerla through those symbols that are recurrent in his filmography:
Orson Welles, Noel Rosa, Jimi Hendrix e Oswald de Andrade. His duo with Helena
Ignez which revolutionized the mise-en-scène in the cinema is one of the main
focuses of the film.
Belair is the docu-film which details the
past of the Brazilian films and the production company, Belair, with the
commentary of one of its founders Julio Bressane and many living legends of the
industry. This is the debut directorial venture of Noa bressane, one of the
directors of Belair.
The 2012 film the Residents is the story
of the inmates of a building which is soon to be demolished. This film was well
received as it was a throwback to the old Brazilian avant-garde films of the
sixties. The director Tiago Mata Machado is a celebrated film critic, curator
and award winning filmmaker of Brazil.
Helena Ignez’s directorial debut Cancoes
de Baal is a musical fable co-directed by Michele Matalon. The film deals with
the personal and professional life of a poet and singer, Baal. The film
features the original voice of Bertolt Brecht, German play writer and theater
director and the interview with Einstein. The film bagged the Critics award in Gramado
Film Festival.
The life of the two notorious dons,
father-son duo, where father is in jail and son is committing robbery for
material gains and is worshiped by young women of the society, is the plot of
the Ignez directed film Light in Darkness. This 83 minute film released in 2010
won the jury award and lot of admiration for Ignez at the Prêmio Contigo
Cinema, Brazil.
Helena Ignez, who is coming to state
capital, exclusively to participate and introduce her films in the
International Film Festival of Kerala, will be a significant global celebrity
of the festival. The package on Helena Ignez is to surely increase the number
of her admirers and lovers in the state and wider the horizons of Brazilian
films to a global platform.
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